Cosina
Voigtländer Nokton 58/1.4 and Pentax 50mm lenses


What follows are some images showing the performance of the Nokton 58/1.4 compared to several Pentax 50mm lenses, especially the A50/1.4.

Disclaimer: This is a test by a layman, who does not really know what he is doing.



Conclusions:

1. Resolution: The resolution performance of all tested 50mm lenses is very good. One is reaching the sensor limit already at f1.4. Only the M50/1.7 shows a slight weakness in the corners fully open. The Nokton is flawless.

2. Contrast: The Nokton shows very good contrast values! At f4 it is the best of all tested lenses.

3. CAs: Normal CAs, both longitudinal and transversal, are very weak and difficult to detect. Enforcing fringing (longitudinal CA), the Nokton looks about the same as the A50/1.4 but with slightly better performance at exact focus.

4. Flare: The Nokton shows slightly stronger flare compared to the A50/1.4. This is similar to the Ultron 40/2.0, which also showed stronger flare compared to the FA35/2.0.

5. Bokeh: The Bokeh of the Nokton and the A50/1.4 is virtually identical. This is not really surprising since both feature an identical lens design. The most important point, which is influencing the bokeh in this case, is that the Nokton's focal length is 8mm longer compared to 50mm lenses. This reduces the DoF and gives a more blurry out-of-focus area, which is clearly noticable in the images.
The circle of confusion looks like in most modern lenses today: A smooth Gaussian transition in the foreground and a bright border in the background ("over-corrected spherical aberration").




The test:

      Resolution
      Contrast
      Fringing, longitudinal CA
      Transversal/lateral CA
      Flare
      Bokeh






Resolution:
Resolution has been tested using a tripod, MLU and manual focussing, with a focus array of 20-30 images each.
Of each lot the sharpest image has been selected by visual inspection.


Resolution at a distance of 5m (USAF test sheet): 100% Crops

1. fully open
Resolution fully open

2. at f4.0
Resolution at f4.0



Direct comparison of f1.4 versus f4.0 for the Nokton:
200% Crops!
Comparison f1.4 - f4.0 at 200%




Sensor-Resolution:
That the lenses reach the sensor limit can be seen on the following image.
Here is a 400% crop from the inner part of the USAF sheet (Pentax A50 at f4.0).
The curious thing is that at the number 4 (red arrow) it appears that the orientation of the bars is changing. Here the resolution is so high that the sensor cannot cope with it anymore correctly and artificial, "spurious" patterns appear. I think this has to do with the
Nyquist theorem.

400% Sensor resolution, Nyquist theorem f4.0


Now let's have a look at f1.4 of the same lens:
Also here, fully open, the spurious resolution can be seen. Even in the corner the phenomenon can be perceived.
So much for the alleged softness of the f1.4 lenses.
400% Sensor resolution, Nyquist theorem f1.4






Resolution at Infinity:
Note that the Nokton has an 8mm longer focal length.
I have scaled down the Nokton image accordingly.
The A50/1.4 shows a slight weakness at f1.4 in the corners, but the difference is only slight. At f4.0 both are identical.








Contrast:
Contrast has been measured using the method described
here, using Image-J.

Do not give much on the absolute numbers (depends on lighting) and not even much on the exact position of the points. The values have been obtained from only one image each and the error is probably quite high. Nevertheless I think one can say that the contrast of the Nokton is good!

Contrast of 50mm lenses


To give an impression of how big the difference is, on the real photo, here is a comparison of the Pentax A50 at f1.4 and at f4.0 in a 100% crop. The Nokton looks similar.
Comparison contrast Pentax A50 f1.4 - f4.0






Fringing, longitudinal CA:
This has been tested by shooting dark pieces of wood against the sun, exposing on the dark wood. This is a very drastical method, which shows the effect much stronger than in normal shots.
I have performed a focus array, with slightly moving the focus ring from shot to shot.
The first row shows the image where the middle wood piece has the least fringing.
The second row shows the image which has the best focus on the middle wood piece.

Fringing, longitudinal CA






Transversal/lateral CA:
This is very, very weak and difficult to detect with the 50mm lenses. Nothing to worry about at all. Due to bad weather I haven't got any good examples yet.




Flare:
Overall the Nokton shows slightly stronger flare compared to the Pentax A50/1.4. But the difference is not very strong.
Here are some examples:








Some more examples of Nokton flare:
Bottom right is the strongest flare I was able to produce.





Bokeh:
Testing the bokeh of the Nokton in comparison with 50mm lenses is slightly difficult, because the Nokton has an 8mm longer focal length and this is quite noticable already, if one is shooting from the same distance.
Below are two shots showing the background when focussing on a nearby object with both lenses from the same distance, both at f1.4. (The Nokton images have been slightly reduced in size to make up for the larger focal length.)

The Nokton clearly gives a more blurry background. This is due to the 8mm longer focal length.








1. Pattern bokeh:
This has been produced by turning the focus ring in small steps, starting from infinity (left).
Please note that it is impossible to do this stepping 100% identical for two lenses. Slight differences in the focus distance are unavoidable.


Larger 100% crop copy



2. Circle of confusion:

a) by turning the focus ring in small steps:
Please note that it is impossible to do this stepping 100% identical for two lenses. Slight differences in the focus distance are unavoidable.


Larger 100% crop copy



b) by changing the aperture:
The Nokton has 9 blades, the A50 has 8.


Larger 100% crop copy



How this looks in real life, can be seen here:
Front and back Bokeh of a hedge:
f1.4




A different kind of Bokeh:
An image consisting almost exclusively of Bokeh.
This is on the beach, setting the camera on the ground and shooting against the sun.

The reflecting grains of sand create a prism-like appearance.

f4.0




Continue to some sample images: HERE



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